Exquisite Corpse

Participants play by taking turns drawing sections of a character on a sheet of paper, folded to hide each individual contribution. The first player adds a head—then, without knowing what that head looks like, the next artist adds a torso, and so on. draw the neck and the legs slightly over the fold so the next person knows where to begin. In this way, a strange, comical, often grotesque creature is born. Take your time and add detail and shading to your sections using the shading guide examples using the whole 5 minutes allowed.

Exquisite corpse (from the original French term cadavre exquis, literally exquisite cadaver), is a method by which a collection of images is collectively assembled. Each collaborator adds to a composition in sequence, by being allowed to see only the end of what the previous person contributed.

This technique was invented by surrealists and is similar to an old parlour game called Consequences in which players write in turn on a sheet of paper, fold it to conceal part of the writing, and then pass it to the next player for a further contribution. Surrealism principal founder André Breton reported that it started in fun, but became playful and eventually enriching. Breton said the diversion started about 1925, but Pierre Reverdy wrote that it started much earlier, at least as early as 1918.[1]

The name is derived from a phrase that resulted when Surrealists first played the game, “Le cadavre exquis boira le vin nouveau.” (“The exquisite corpse shall drink the new wine.”)[1][2] André Breton writes that the game developed at the residence of friends at an old house in Montparnasse, 54 rue du Château (no longer existing). Besides himself he mentions Marcel DuhamelJacques PrévertYves Tanguy and Benjamin Péret as original participants.[1][3]

Example Drawings

Cel Animation

cel, short for celluloid, is a transparent sheet on which objects are drawn or painted for traditional, hand-drawn animation. Actual celluloid (consisting of cellulose nitrate and camphor) was used during the first half of the 20th century, but since it was flammable and dimensionally unstable it was largely replaced by cellulose acetate.

Generally, the characters are drawn on cels and laid over a static background drawing. This reduces the number of times an image has to be redrawn and enables studios to split up the production process to different specialised teams. Using this assembly line way to animate has made it possible to produce films much more cost-effectively. The invention of the technique is generally attributed to Earl Hurd, who patented the process in 1914. The outline of the images are drawn on the front of the cel while colors are painted on the back to eliminate brushstrokes. Traditionally, the outlines were hand-inked but since the 1960s they are almost exclusively xerographed on. Another important breakthrough in cel animation was the development of the Animation Photo Transfer Process, first seen in The Black Cauldron, released in 1985.

Lesson Goal: Create a painted background and an acetate foreground with your character inked on the front and painted on the back.

Target 1:Develop a character and a setting in rough form

Target 2:Create the painting for your background.

Target 3:Draw your character on tracing paper over top of your background

Target 4:Trace your character onto acetate and color them in on the backside with paint.